Art Buchwald dead at age 81

Amazing man who lived an amazing life. Wikipedia has the cold hard facts here. The world will be a little sadder now that Art is gone.


From WaPo:

Art Buchwald, 81, the newspaper humor columnist for more than a half-century who found new comic material in the issues that come up at the end of life, died of kidney failure last night at his son’s home in Washington, his family announced today.

Buchwald, an owlish, cigar-chomping extrovert, zinged the high, mighty and humor-challenged. His column, syndicated to more than 550 newspapers at one point, won the Pulitzer Prize for commentary in 1982. He also published more than 30 books.

Last year didn’t start well for the writer. Kidney and vascular problems forced doctors to amputate one of his legs just below the knee in January, and Buchwald opted to not have dialysis. In February, he entered Washington Home and Community Hospices, which he described as “a place where you go when you want to go.”

But by July, despite his physicians’ predictions, Buchwald left hospice. “Instead of going straight upstairs, I am going to Martha’s Vineyard,” he wrote.

He finished his last book, “Too Soon To Say Goodbye,” there, and it was published in November. Buchwald kept his sense of humor until he slipped into unconsciousness just before he died, said his longtime friend, Washington Post Vice President at-Large Benjamin C. Bradlee.

“I just don’t want to die the same day Castro dies,” Buchwald told his friends, Bradlee said.

A statement from the family said Buchwald will be buried on Martha’s Vineyard in the Vineyard Haven Cemetery, where his wife Ann is buried. A memorial service is being planned in Washington, the family said.

Strategizing about how to land a big obituary became part of his repertoire of jokes, especially after news of the death of former Chilean strongman Augusto Pinochet interrupted one of his book parties in New York.

Death and dying became fodder for the column that he continued to write through 2006, mining the topic as regularly as politicians, scandals and news of the day.

Shortly after he entered hospice last February, he organized his last hurrah by calling up gossip columnists and radio talk show hosts to declare “I’m still alive!” His March 7 column began “I am writing this article from a hospice. But being in the hospice didn’t work out exactly the way I wanted it to. By all rights I should have finished my time here five or six weeks ago — at least that’s all Medicare would pay for.”

Buchwald reveled in the parade of famous visitors who came to see him and dealt publicly with more serious aspects of wrapping up one’s life. The existence of heaven and hell is possible, he decided, and if it provides comfort, people should believe in it.

“I have no idea where I’m going but here’s the real question: What am I doing here in the first place?”

In December, he told admirers at Wesley United Methodist Church in the District that he did not want to be remembered as dying after a long illness. “I want to die at 95 playing tennis against Agassi — because he couldn’t handle my serve,” he told the crowd.

Before death and dying presented itself as a topic for his columns, politics was a favorite jumping-off point. As a long-running observer of the nation’s political scene, Buchwald said his favorite president was Richard Nixon, whose delusions made for rich satirical material. “I worship the very quicksand he walks on,” Buchwald quipped.

Most of his books were collections of his columns, which were syndicated by the Los Angeles Times and appeared in The Washington Post. Two of his books “Leaving Home”(1993) and “I’ll Always Have Paris!” (1996) were memoirs. They told the story of his journey from a lonely, impoverished childhood lived largely in foster homes, to the salons of the famous.

His entertaining, name-dropping memoirs — published in a period when some said his column was losing its edge — also won him new respect in the publishing world. Although he had been elected in 1991 to the American Academy of Arts and Letters, he said in a 1996 interview that “people don’t take humorists seriously; they don’t even call them writers.”

“It was those two books that made me a writer,” he said. “Now, I’m being reviewed seriously. That gives me great pleasure, because I want to be known as a writer, not a humorist. It’s one step up, and that’s the direction I want to be headed at this stage of my life.”

Buchwald also wrote about his bouts with mental disorders with a frankness that won him new fans around the country. He had been hospitalized for clinical depression in 1963 and for manic depression in 1987. Both episodes nearly drove him to suicide, he said; drugs and therapy were his salvation. He joked to friends that if he had a third bout of depression, “I will be inducted in the Bipolar Hall of Fame.”

After his subsequent appearances on television to talk about the chokehold these illnesses once had on his life, people would stop to thank him in airports and on the street for spreading a message of hope, he said.

Buchwald was born with rickets in New York on Oct. 20, 1925, to a struggling, Austrian-born drape installer and a mother who suffered from chronic depression. Shortly after his birth, his mother was institutionalized. She lived for another 35 years but never saw her son again.

He lived his first year in a foundling home and then was sent to a Seventh-Day Adventist home for sick children. He stayed there until he was 5, with one of his three sisters. Their father, unable to support his children during the Depression, then placed them with the Hebrew Orphan Asylum in Manhattan. In “Leaving Home,” Buchwald wrote that, at about 6 or 7, he realized he could deal with the loneliness and confusion of his life by becoming the class clown. He said he recognized that he could draw laughs by making fun of the people in charge.

“It was a dangerous profession I had chosen,” he recalled, “because no one likes a funny kid. In fact, adults are scared silly of them and tend to warn children who act out that they are going to wind up in prison or worse. It is only when you grow up that they pay you vast sums of money to make them laugh.”

The budding humorist lived in a series of foster homes, and he and his three sisters saw his father only on Sundays. When he reached age 17, Buchwald lied about his age and escaped into the Marine Corps. The Marines, he wrote, got “full credit for straightening me out.” He served in the Pacific during World War II. He attended the University of Southern California for three years and then dropped out after learning that he could use the GI bill to study in Paris.

Once there, Buchwald conned his way into a glamorous, albeit low-paying, job as nightlife and entertainment columnist for the European edition of the New York Herald Tribune. He knew nothing about haute cuisine, he later recalled, but got the job by claiming to have been a wine-taster in the Marine Corps. He said he faked his role as food critic by making sure to ask if the mushrooms were fresh.

His columns about Paris nightlife and jet-setting celebrities were carried in New York by the Herald Tribune under the name “Europe’s Lighter Side.” Ernest Hemingway, Louis Armstrong, Duke Ellington, Gina Lollobrigida, Aristotle Onassis, Pablo Picasso, Elvis Presley, E.B. White and uncrowned heads of international society made their way into Buchwald’s pieces, turning him into something of a celebrity expatriate himself.

The column for which he is best known managed to drop names from several centuries earlier. In 1953, with help from newsroom colleagues, Buchwald undertook to explain the meaning of the Thanksgiving Day feast to the French with laughable translations of the American tradition. It was the only day, he noted, that American families “eat better than the French.”

Many newspapers ran it annually for years afterward.

Another of his favorites was a 1964 column that asserted President Lyndon B. Johnson could not ask J. Edgar Hoover to resign because the former FBI director didn’t exist; he had been made up by the ultraconservative magazine Reader’s Digest.

After the Eisenhower era ended and the Kennedy administration was in full swing, Buchwald decided to return to the United States.

“I knew if I didn’t get out, I’d be there forever, and I didn’t want to become an expatriate,” he recalled. “I found myself duplicating myself, talking about the French and the Italians and the tourists. It was getting harder, not easier. And I knew that I could work off the headlines in America, but I couldn’t in Europe.”

He and his wife, Ann McGarry Buchwald, whom he had met in Paris, moved to Washington in 1963 with their three children, who were adopted from orphanages and child welfare agencies in Ireland, Spain and France.

After Paris, Washington turned out to be a city that had no soul, he later wrote, although it was a wonderful place to make a living off satire. He said it was relatively easy to compose his twice-weekly take on the news, often done in the form of an imagined dialogue between major players.

Buchwald also wrote a play, “Sheep on the Runway,” which was produced on Broadway in 1970, and did some screenwriting, including work that resulted in a major lawsuit against Paramount Studios. In 1992, he and producer Alain Bernheim won a $900,000 judgment after contending that they were not paid for their writing for the Eddie Murphy film “Coming to America.”

The case, which centered around Paramount’s definition of a movie’s “net profit,” led to what is known as the “Buchwald clause” in Hollywood contracts, protecting studios from having to compensate a writer for an original idea.

Buchwald, who gave up his trademark cigars when he was 59 years old, was much in demand as a toastmaster in Washington and on Martha’s Vineyard, where he had a summer home and was master of ceremonies of an annual auction to benefit the island’s social service agencies.

In 1998, he moved from Washington to New York. “After a certain amount of time, there’s nothing new,” he observed at the time. “I do think one of the purposes of my move was to keep going.”

He suffered a stroke in 2000 and returned to Washington.

His wife died in 1994.

Survivors include three children, Joel Buchwald of Washington, Connie Marks of Culpeper and Jennifer Buchwald of Boston; two sisters; and five grandchildren.

His children, he said, were initially upset with his decision to turn down dialysis treatments last year, but he insisted that he preferred to control his last days, which lasted longer than even he expected.

“I don’t know if this is true or not, but I think some people, not many, are starting to wonder why I’m still around,” he wrote while in the hospice. “In fact, a few are sending me get-well cards. These are the hard ones to answer.

“So far things are going my way. I am known in the hospice as The Man Who Wouldn’t Die. How long they allow me to stay here is another problem. I don’t know where I’d go now, or if people would still want to see me if I weren’t in a hospice. But in case you’re wondering, I’m having a swell time — the best time of my life.”

0 Responses

  1. Pingback: University Update
  2. One of the great obits I ever read ; online or off line.
    Certainly great one on my fav columnist, which sent me into a tailspin of nosltalgia. There will never be another Art Buchwald.


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Errington C. Thompson, MD

Dr. Thompson is a surgeon, scholar, full-time sports fan and part-time political activist. He is active in a number of community projects and initiatives. Through medicine, he strives to improve the physical health of all he treats.


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